
Chapter 5: Virus Indigo Tutorials 45
2 During playback, watch the Sustain control
and listen to how the sound character changes.
The next stage of the amplifier envelope is deter-
mined by the Time control.
To hear the sustain time stage:
1 Click memory location 4, “Amplitude Time”
and press the Spacebar to begin playback.
2 During playback, watch the Time control and
listen to how the sound character changes.
The higher the Time setting, the faster the vol-
ume increases to its maximum level. The lower
the Time setting, the faster the volume decreases
to zero.
If Time is set to its center position of zero, the
sustain level remains constant.
The final envelope stage is determined by the
Release control.
To hear the release stage:
1 Click memory location 5, “Amplitude Re-
lease” and press the Spacebar to begin playback.
2 During playback, watch the Release control
and listen to how the sound character changes.
Release determines how quickly the volume de-
creases after you release a note. The higher the
Release value, the slower the fade out. The lower
the Release value, the faster the fade out.
By using the amplifier envelope creatively you
can simulate the amplitude characteristics of
virtually any instrument, from drums to wood-
winds and beyond.
Memory Locations 6 and 7 demonstrate how
different envelopes can radically change the
character of a patch.
To hear envelopes change sound character:
1 Click memory location 6, “Typical Amp
Envelope 1” and press the Spacebar to begin
playback.
This patch has a soft attack similar to woodwind
instruments. Next, listen to the same basic
patch, but with a different envelope.
2 Click memory location 7, “Typical Amp Enve-
lope 2” and press the Spacebar to begin play-
back.
This patch has a hard attack and fast decay, not
unlike a Japanese koto. These simple examples
should give you some idea of the sound shaping
power of the Amplifier Envelope.
Next, you’ll experiment with the Filter Enve-
lope.
Filter Envelope
The Filter Envelope controls how the filter re-
sponds each time you play a note.
The Filter Envelope varies the cutoff frequency
of both filter 1 and 2 each time you play a note.
It has the same five controls as the Amplifier En-
velope: Attack Decay, Sustain, Time, and Re-
lease.
In addition, filter 1 and 2 each have an envelope
amount (Env Amt) control. This determines the
degree to which the envelope affects filter cut-
off. The greater the envelope amount, the
greater the effect the filter envelope has on cut-
off frequency.
Memory Location 8 demonstrates all five stages
of the Filter Envelope.
If you set Sustain to its maximum level of
127, the Decay control no longer has an ef-
fect. To use decay effectively, the Sustain
level must set below its maximum.
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