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Chapter 3: Virus Indigo Controls 23

Ring Mod

Ring Mod provides a second ring modulator (in

addition to the ring modulator on the Osc page)

that you can use to modulate audio input sig-

nals. This ring modulator multiplies the ampli-

tude of an audio input signal with Indigo’s other

oscillators to create complex enharmonic over-

tones.

Mix Controls the amount of ring modulation

from ring modulator 2 added to the patch.

Phaser

Use the controls in this section to set the char-

acter and amount of phasing. Phasing animates

sounds with a sweeping, swirling effect by add-

ing a phase-shifted copy of an audio signal to it-

self. You can use phasing to convert a mono

patch to stereo.

Mix Controls the balance between the dry

source signal and the phasing effect. A setting of

127 is 100% wet.

Rate Controls the rate of the phasing effect.

Depth Controls the intensity of the phasing ef-

fect.

Frequency Controls the frequency of the

phaser’s all-pass filter. Lower settings produce

more radical phasing effects.

Stages Selects the number of filter stages (filter

poles) of the phasing effect. The greater the

number of stages, the deeper and more complex

the phasing effect.

Spread Controls the bandwidth of the phasing

effect.

Feedback Controls feedback amount. Higher

feedback settings produce more intense phas-

ing. Negative values can produce more intense

phasing.

Patch Distortion

Use the controls in this section to set the char-

acter and amount of harmonic distortion added

to the signal. Patch distortion character is

strongly influenced by oscillator volume, wave-

shape, and filter resonance.

Intensity Controls the amount of harmonic dis-

tortion added to the patch.

Curve Selects the character of the distortion

added to the patch. Choices are: Off, Light Soft,

Mid, Hard, Digital, and Shaper.

Chorus

Use the controls in this section to set the char-

acter and amount of chorusing. Chorusing

thickens and animates sounds by adding a de-

layed, pitch-modulated copy of an audio signal

to itself. You can use chorusing to convert a

mono patch to stereo.

Mix Controls the balance between the dry

source signal and the chorus effect. A setting of

127 is 100% wet.

Rate Controls the rate of the chorus effect.

Depth Controls the intensity of the chorus ef-

fect.

Delay Time Controls the delay time of the cho-

rus effect. Longer delay times produce wider

chorusing. For flanging effects, use a delay time

of less than 10 ms.

See “Using Input Mode” on page 50 for

more information on using the key input to

route external signals to the ring modulator

(or Vocoder).

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