Access VIRUS|POWERCORE Especificaciones descargar pdf (Pagina 28)

Access Music Virus Indigo Plug-in Guide24

Feedback Controls feedback amount. Higher

feedback settings produce more intense chorus-

ing.

Shape Selects the waveshape for the Chorus

LFO. Choices are sine, triangle, sawtooth,

square, sample & hold, or sample & glide. Each

produces a unique detuning effect.

Delay/Reverb

Use the controls in this section to set the char-

acter and amount of delay and reverb. Delay and

reverb can be used to add a sense of space and

depth to a sound. You can also use delay and re-

verb to convert a mono patch to stereo.

All Virus Indigo plug-ins sharing the same DSP

(Virus Indigo 1a, 1b, 1c, and so on) also share a

single delay. The plug-in designated as the “de-

lay master” carries the delay signal. All other

plug-ins sharing the same DSP automatically

bus their delay sends to the delay master.

For a plug-in to be designated as the delay mas-

ter, its Effect button must be enabled (on the FX-

1 page).

Mode Selects the type of effect (reverb or delay)

used. Selecting one of the delay patterns pro-

duces a left channel-to-right channel rhythmic

ping-pong delay that modifies the currently set

delay time according to the given ratio.

An X+Y pattern selects a ping-pong delay where

the delay times are locked into sync with the

master clock. The Clock parameter sets the delay

tempo (not the Time parameter). The two num-

bers represent note increments and indicate the

delay for the left and right channels. Setting the

delay Clock parameter to sixteenth notes and se-

lecting 2+1 as the Mode, for example, produces a

ping-pong delay with a left channel delay of two

16 notes and right channel delay of one 16th

note. Used with the Feedback parameter, these

groove-oriented algorithms produce interesting

rhythmic patterns and accents, particularly in

conjunction with the arpeggiator. Feedback is

generated using the left channel delay tap.

An X:Y pattern selects a ping-pong delay where

the left and right channels have a numeric ratio.

Selecting 2:1, for example, selects a ping-pong

delay with a left channel delay that is two times

as long as the right. Use the Time parameter to

set the longer channel of the ping-pong delay.

Feedback is generated using the longer channel

of the delay.

Send Controls the balance between the dry

source signal and the delay effect. Signal level is

determined by Patch Volume (Oscillator page),

making this a post-fader control. Set from 0–99,

it functions as a send level control. Set from

100–127, it acts as a direct/effect control. At 127,

the signal is 100% wet.

Effect Selects the plug-in as the master delay

control. The plug-in designated as the delay

master controls all delay parameters—with the

exception of Delay Send level—for all other

plug-ins sharing the same DSP.

Only one plug-in on a shared DSP can be the de-

lay master.

See “Sharing a Single Delay Among Multi-

ple Plug-ins” on page 52 for more details on

using a shared delay and designating the

delay master.

If the delay Effect button is not enabled for

any plug-in sharing the same DSP, delay is

turned off.

1 2 ... 23 24 25 26 27 28 29 30 31 32 33 ... 82 83

Comentarios a estos manuales

Sin comentarios

Access VIRUS|POWERCORE Especificaciones Pagina 28

Comentarios a estos manuales